In my Spring 2014 Race and Performance class, taught by Professor Vivian L Huang, we explored the performativity of race in everything from pop culture and television and film to everyday life and historical events. For our midterm papers, Prof. Huang asked us to examine a cultural piece and explore the racial performances within. My classmates’ paper topics ranged from the controversial Richard Sherman interview during the football playoffs, to the early 2000’s Disney cartoon “The Proud Family”.
As a former actor and lifelong musical nerd, I chose to write about my favorite musical, Passing Strange. The often-overlooked show played during the 2008 season, and won that year’s Tony Award for Best Book of a Musical. As I wrote in my paper, “The rock musical [is] the semi-autobiographical work of musician Stew and his partner Heidi Rodewald that chronicle[s] the migration of Youth from South Central, Los Angeles to Europe in his search for the Real and his artistic voice. The all-black cast embod[ys] three iterations of characters that Youth encountere[s] along his travels, the only constants being his long-suffering mother and the Narrator (who may or may not be an older version of the Youth), played by Stew himself”. Here is a selection of my paper: Continue reading